Top Gun Maverick: Review
Top Gun: Maverick Synopsis: After more than thirty years of service as one of the Navy’s top aviators, Pete Mitchell (Tom Cruise) is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him.
Still blazing airways as a lovable wildcard, Maverick finds himself an unlikely mentor at his famed stomping grounds in Top Gun: Maverick. The 36-year gap for this long-awaited follow-up joins a recent slew of legacy sequels. Features like Tron Legacy and Blade Runner 2049 paid ode to their predecessors in stylistically inspired reimaginings of their source material. On the other hand, some shameless attempts fell woefully flat in pandering pursuits for nostalgic glory (Ghostbusters: Afterlife and Terminator: Dark Fate).
Under the sincere dedication of star Tom Cruise, Maverick trails a vibrant path for blockbuster cinema. The sequel to its hokey 1986 predecessor offers a majestic thrill ride synonymous with hyperspeed excitement, serving as one of the rare continuations that improve upon and elevates its storied source material.
Cruise and his creative team deserve ample praise for upping the ante in practical effects work. The severely underrated director Joseph Kosinski, who fittingly reinvented Tron: Legacy into a hypotonic blend of futuristic aesthetics, crafts a film unapologetically dedicated to the old-school magic of blockbusters from Top Gun’s heyday.
The soaring speeds of high-tech aircrafts draw unparalleled excitement in a Hollywood culture dominated by homogenized CGI landscapes. Kosinski skillfully captures each pulse-pounding movement through a balance of encompassing wide shots and intimate POV framing inside the cock pit – morphing each encounter into an electrifying showcase of grand-scale entertainment.
I also credit the craftsman for paying ode to Tony Scott’s famed aesthetics from the original entry. Kosinski’s thoughtful visual callbacks conjure nostalgic warmth in ways few of its legacy counterparts can equal aesthetically.
Maverick’s appeals extend beyond surface-level entertainment. Unlike several other legacy sequels, Kosinski and screenwriter Peter Craig construct a film that ably mirrors its predecessor’s sensibilities. The same smooth swagger and cocky exuberance are ever-present in our new array of young pilots, while Craig’s narrative approach shares a similar embrace for heightened melodrama.
Craig and Kosinski discover deft avenues for marrying Top Gun’s iconic bravado with enough modernization. Enlisting a charismatic supporting cast, including Glen Powell, Miles Teller, and Monica Barbaro, helps create an energized core team worth rallying behind for audiences. Craig also maneuvers the commonplace training dynamics and straightforward character arcs with enough of his own thoughtful flourishes.
It’s refreshing to see a legacy sequel dedicated to its old-school source material. The film successfully carries over several arcs in well-constructed manners, often building to surprising levels of emotional resonance. Both Maverick’s relationships with Iceman and the son of his former co-pilot Goose make for genuine rapports despite some familiar narrative trappings. Like a warm embrace from an inebriated friend, Maverick’s emotionality can feel clumsy at times, but the impactful reverence for its source material radiates with the utmost sincerity.
At the center of Top Gun: Maverick’s greatest successes lies Maverick himself. Tom Cruise embodies the character’s affably reckless persona as a clever extension of himself. As an aging craftsman who still embraces the same wild child daredevil streak, Maverick sees a wave of detractors as a challenge to push the envelope further in his passionate pursuits.
With Top Gun: Maverick, that is precisely what Cruise accomplishes. It’s a classic movie star performance featured inside the crowdpleasing veneer of blockbuster’s former glory days. Despite warranted skepticism around his real-life persona, Cruise’s instant gravity onscreen reminds every viewer why he remains an arresting big-screen presence to witness. He carries some of the film’s best frames, including an opening sequence that speaks volumes in its simplicity and graceful serenity.
It’s early, but Top Gun: Maverick may already possess the summer movie title belt. An ingenious blend of craft and self-reflection helps create a cheerful crowdpleaser that will leave audiences clamoring for more.